Mukammal Deewan-e- Amir Khusraw Dehlavi

Ab'ul Hasan Yamīn al-Dīn Khusrow (1253-1325 CE) (Persian: ابوالحسن یمین‌الدین خسرو; Hindi: अबुल हसन यमीनुद्दीन ख़ुसरौ ) , better known as Amīr Khusrow (or Khusrau) Dehlawī (امیر خسرو دہلوی; अमीर ख़ुसरौ दहलवी ), was an Indian musician, scholar and poet. He was an iconic figure in the cultural history of the Indian subcontinent. A Sufi mystic and a spiritual disciple of Nizamuddin Auliya of Delhi, Amīr Khusrow was not only a notable poet but also a prolific and seminal musician. He wrote poetry primarily in Persian, but also in Hindavi.

He is regarded as the "father of qawwali" (the devotional music of the Indian Sufis).[1][2] He is also credited with enriching Hindustani classical music by introducing Persian and Arabic elements in it, and was the originator of the khayal and tarana styles of music.[3] The invention of the tabla is also traditionally attributed to Amīr Khusrow.[4]. Amir Khusrau used only 11 metrical schemes with 35 distinct divisions. He has written Ghazal, Masnavi, Qata, Rubai, Do-Beti and Tarkibhand.

A musician and a scholar, Amīr Khusrow was as prolific in tender lyrics as in highly involved prose and could easily emulate all styles of Persian poetry which had developed in medieval Persia, from Khāqānī's forceful qasidas to Nezāmī's khamsa. His contribution to the development of the ghazal, hitherto little used in India, is particularly significant.[5].

Major life events in chronological order1253 Khusro was born in Badaun near Etah in what is today the state of Uttar Pradesh in northern India. His father Amir Saifuddin came from Balkh in modern day Afghanistan and his mother hailed from Delhi. 1260 After the death of his father, Khusro went to Delhi with his mother. 1271 Khusro compiled his first divan of poetry, "Tuhfatus-Sighr". 1272 Khusro got his first job as court poet with King Balban's nephew Malik Chhajju. 1276 Khusro started working as a poet with Bughra Khan (Balban's son). 1279 While writing his second divan, Wastul-Hayat, Khusrau visited Bengal. 1281 Employed by Sultan Mohammad (Balban's second son) and went to Multan with him. 1285 Khusro participated as a soldier in the war against the invading Mongols. He was taken prisoner, but escaped. 1287 Khusro went to Awadh with Ameer Ali Hatim (another patron). 1288 His first mathnavi, "Qiranus-Sa'dain" was completed. 1290 When Jalal ud din Firuz Khilji came to power, Khusro's second mathnavi, "Miftahul Futooh" was ready. 1294 His third divan "Ghurratul-Kamal" was complete. 1295 Ala ud din Khilji (sometimes spelled "Khalji") came to power and invaded Devagiri and Gujarat. 1298 Khusro completed his "Khamsa-e-Nizami". 1301 Khilji attacked Ranthambhor, Chittor, Malwa and other places, and Khusro remained with the king in order to write chronicles. 1310 Khusro became close to Nizamuddin Auliya, and completed Khazain-ul-Futuh. 1315 Alauddin Khilji died. Khusro completed the mathnavi "Duval Rani-Khizr Khan" (a romantic poem). 1316 Qutb ud din Mubarak Shah became the king, and the fourth historical mathnavi "Noh-Sepehr" was completed. 1321 Mubarak Khilji (sometimes spelled "Mubarak Khalji") was murdered and Ghiyath al-Din Tughluq came to power. Khusro started to write the Tughluqnama. 1325 Sultan Muhammad bin Tughluq came to power. Nizamuddin Auliya died, and six months later so did Khusro. Khusro's tomb is next to that of his master in the Nizamuddin Dargah of Delhi.

Ab'ul Hasan Yamīn al-Dīn Khusrow (1253-1325 CE) (Persian: ابوالحسن یمین‌الدین خسرو; Hindi: अबुल हसन यमीनुद्दीन ख़ुसरौ ) , better known as Amīr Khusrow (or Khusrau) Dehlawī (امیر خسرو دہلوی; अमीर ख़ुसरौ दहलवी ), was an Indian musician, scholar and poet. He was an iconic figure in the cultural history of the Indian subcontinent. A Sufi mystic and a spiritual disciple of Nizamuddin Auliya of Delhi, Amīr Khusrow was not only a notable poet but also a prolific and seminal musician. He wrote poetry primarily in Persian, but also in Hindavi.

He is regarded as the "father of qawwali" (the devotional music of the Indian Sufis).[1][2] He is also credited with enriching Hindustani classical music by introducing Persian and Arabic elements in it, and was the originator of the khayal and tarana styles of music.[3] The invention of the tabla is also traditionally attributed to Amīr Khusrow.[4]. Amir Khusrau used only 11 metrical schemes with 35 distinct divisions. He has written Ghazal, Masnavi, Qata, Rubai, Do-Beti and Tarkibhand.

A musician and a scholar, Amīr Khusrow was as prolific in tender lyrics as in highly involved prose and could easily emulate all styles of Persian poetry which had developed in medieval Persia, from Khāqānī's forceful qasidas to Nezāmī's khamsa. His contribution to the development of the ghazal, hitherto little used in India, is particularly significant.[5].

Major life events in chronological order1253 Khusro was born in Badaun near Etah in what is today the state of Uttar Pradesh in northern India. His father Amir Saifuddin came from Balkh in modern day Afghanistan and his mother hailed from Delhi. 1260 After the death of his father, Khusro went to Delhi with his mother. 1271 Khusro compiled his first divan of poetry, "Tuhfatus-Sighr". 1272 Khusro got his first job as court poet with King Balban's nephew Malik Chhajju. 1276 Khusro started working as a poet with Bughra Khan (Balban's son). 1279 While writing his second divan, Wastul-Hayat, Khusrau visited Bengal. 1281 Employed by Sultan Mohammad (Balban's second son) and went to Multan with him. 1285 Khusro participated as a soldier in the war against the invading Mongols. He was taken prisoner, but escaped. 1287 Khusro went to Awadh with Ameer Ali Hatim (another patron). 1288 His first mathnavi, "Qiranus-Sa'dain" was completed. 1290 When Jalal ud din Firuz Khilji came to power, Khusro's second mathnavi, "Miftahul Futooh" was ready. 1294 His third divan "Ghurratul-Kamal" was complete. 1295 Ala ud din Khilji (sometimes spelled "Khalji") came to power and invaded Devagiri and Gujarat. 1298 Khusro completed his "Khamsa-e-Nizami". 1301 Khilji attacked Ranthambhor, Chittor, Malwa and other places, and Khusro remained with the king in order to write chronicles. 1310 Khusro became close to Nizamuddin Auliya, and completed Khazain-ul-Futuh. 1315 Alauddin Khilji died. Khusro completed the mathnavi "Duval Rani-Khizr Khan" (a romantic poem). 1316 Qutb ud din Mubarak Shah became the king, and the fourth historical mathnavi "Noh-Sepehr" was completed. 1321 Mubarak Khilji (sometimes spelled "Mubarak Khalji") was murdered and Ghiyath al-Din Tughluq came to power. Khusro started to write the Tughluqnama. 1325 Sultan Muhammad bin Tughluq came to power. Nizamuddin Auliya died, and six months later so did Khusro. Khusro's tomb is next to that of his master in the Nizamuddin Dargah of Delhi.